The plot is fantastical and thin, but Kieślowski makes us feel the otherworldliness in this chaotic and mysterious world. This poetic quality of the film had never been made possible without the great natural lensing and framing by ace cinematographer Zbigniew Preisner. She even tells her partner, “All my life I’ve felt like I was here and somewhere else at the same time.” Weronika dies in the midst of music performance, and Veronica suddenly feels an inexplicable loneliness in her life. One day Weronika suddenly witnesses her doppelganger Veronica on a bus in the streets of Poland, who came here as a tourist. They are both calm, spiritual, and share the same musical tastes. They are identical not only in their looks but also in nature their lives are interconnected in a mysterious way, which one can only feel but can’t explain.Īt the beginning of the film, Weronika is introduced to us when she is watching a star, and Veronica touches a leaf in her introduction. Weronika is a Polish choir soprano and Veronique is a music teacher in France. Irene Jacob, a 24-year-old woman at the time, had starred as both Weronika and Veronique in this film. In our lives, we are often guided by some mysterious intuition that is beyond logic and reasoning in its own definition, and Kieślowski’s plot here revolves around this theme. Krzysztof Kieślowski had made many profound and ethereal films in his career and “The Double Life of Veronique” is one of the best of them. In the end, the sad souls meet with each other for a temporal unison where Christopher Doyle’s frame makes us melt in melancholy. Their lives are intertwined with each other, something they don’t know. But again, they are a part of this imperfect world in which we live they are the fallen angels. They are not the run-of-the-mill people you see every day on the road. His other job is to record videos of his father on a Handycam, who soon dies, leaving him alone in the world. Ho Chi-mo falls in love and tries his best to impress the lady, but one day she suddenly vanishes. She is looking for “Blonde,” who has trapped her ex-lover, to take revenge. There is another eccentric couple in the story: Ho Chi-mo as a weird mute loner who has escaped from prison and makes money by illegally selling items from the closed shops in the late hours, and a lady named Charlie who he met at a restaurant. She mourns over the distance between them and masturbates on his bed in the hope of touching her love. But the woman has access to her partner’s home to clean up the evidence when he’s not there. They almost never meet even for work and fax the blueprints of the work with close guidance. Their love can never be requited for the same reason, because a professional relationship should always be separate from matters of the heart. He is a contract killer and in love with his female partner who works for him as an informer. “Fallen Angels” starts with a voiceover that narrates the context of the melancholy that the lead character faces in the film. Without further ado, here are some great films where melancholy rules with domination. Let’s not waste each other’s time let’s grab a cup of coffee and delve into the discussion of great films where melancholy dominates. Melancholy as an emotion is still difficult to define, just like the character of the people who embrace it.īut everyone knows about melancholy, right? The bittersweet feeling after a heartbreaking yet necessary breakup, the smell of the soil after the first rain of the season, the indescribable mood swing in the midst of the daily humdrum. Blending in is still very difficult for the rare eccentric odd bunches who don’t want to mix in the ever-nagging societal conventions. In the medieval times, it was treated as a dangerous disease, but with time we have learned to accept the moments of gloominess with open eyes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |